https:\/\/glmmusic.de\/BrazialianBluesVolIIWE<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"Already the title-giving play on words “Brazilian Blues” breaks with relish with hardened-traditional ways of looking at what Brazilian music is and what the blues may be. Knowing full well how juvenile-moving the essence of music constantly seeks new points of contact and forms of expression, Stefan Koschitzki and Fabiano Pereira bypass all phrase-mongering on […]<\/p>\n","protected":false},"author":20,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[166,1233,17,1232],"tags":[],"class_list":["post-6446","post","type-post","status-publish","format-standard","hentry","category-album","category-fabiano-pereira","category-fine-music","category-stefan-koschitzki"],"_links":{"self":[{"href":"https:\/\/www.glm.de\/en\/wp-json\/wp\/v2\/posts\/6446"}],"collection":[{"href":"https:\/\/www.glm.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.glm.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.glm.de\/en\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/www.glm.de\/en\/wp-json\/wp\/v2\/comments?post=6446"}],"version-history":[{"count":4,"href":"https:\/\/www.glm.de\/en\/wp-json\/wp\/v2\/posts\/6446\/revisions"}],"predecessor-version":[{"id":6451,"href":"https:\/\/www.glm.de\/en\/wp-json\/wp\/v2\/posts\/6446\/revisions\/6451"}],"wp:attachment":[{"href":"https:\/\/www.glm.de\/en\/wp-json\/wp\/v2\/media?parent=6446"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.glm.de\/en\/wp-json\/wp\/v2\/categories?post=6446"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.glm.de\/en\/wp-json\/wp\/v2\/tags?post=6446"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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Already the title-giving play on words “Brazilian Blues” breaks with relish with hardened-traditional ways of looking at what Brazilian music is and what the blues may be. Knowing full well how juvenile-moving the essence of music constantly seeks new points of contact and forms of expression, Stefan Koschitzki and Fabiano Pereira bypass all phrase-mongering on their new album “Brazilian Blues Vol. II”. The two musicians, arrangers and composers see their project “Brazilian Blues” as a vehicle for the constant expansion of their collective musical language. It is about respectable things throughout: searching and finding new attitudes and current perspectives on traditional music styles such as blues and bossa nova. Of course, you have to understand the subtle nuances of both styles first…<\/p>\n