{"id":6517,"date":"2022-11-04T08:00:07","date_gmt":"2022-11-04T06:00:07","guid":{"rendered":"https:\/\/www.glm.de\/en\/?p=6517"},"modified":"2022-12-16T12:38:30","modified_gmt":"2022-12-16T10:38:30","slug":"happy-release-day-martial-solal-live-in-ottobrunn","status":"publish","type":"post","link":"https:\/\/www.glm.de\/en\/happy-release-day-martial-solal-live-in-ottobrunn\/","title":{"rendered":"Happy Release Day: Martial Solal \u2013 Live in Ottobrunn"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-6415 alignleft\" src=\"https:\/\/www.glm.de\/en\/wp-content\/uploads\/2022\/08\/EC-607-Martial-Solal-Album-3000x3000-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.glm.de\/en\/wp-content\/uploads\/2022\/08\/EC-607-Martial-Solal-Album-3000x3000-300x300.jpg 300w, https:\/\/www.glm.de\/en\/wp-content\/uploads\/2022\/08\/EC-607-Martial-Solal-Album-3000x3000-324x324.jpg 324w, https:\/\/www.glm.de\/en\/wp-content\/uploads\/2022\/08\/EC-607-Martial-Solal-Album-3000x3000-100x100.jpg 100w, https:\/\/www.glm.de\/en\/wp-content\/uploads\/2022\/08\/EC-607-Martial-Solal-Album-3000x3000-416x416.jpg 416w, https:\/\/www.glm.de\/en\/wp-content\/uploads\/2022\/08\/EC-607-Martial-Solal-Album-3000x3000-150x150.jpg 150w, https:\/\/www.glm.de\/en\/wp-content\/uploads\/2022\/08\/EC-607-Martial-Solal-Album-3000x3000-768x768.jpg 768w, https:\/\/www.glm.de\/en\/wp-content\/uploads\/2022\/08\/EC-607-Martial-Solal-Album-3000x3000-1024x1024.jpg 1024w, https:\/\/www.glm.de\/en\/wp-content\/uploads\/2022\/08\/EC-607-Martial-Solal-Album-3000x3000-600x600.jpg 600w, https:\/\/www.glm.de\/en\/wp-content\/uploads\/2022\/08\/EC-607-Martial-Solal-Album-3000x3000-400x400.jpg 400w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/>The unexpected always seems logical with him, wrote one critic. On &#8220;Live in Ottobrunn&#8221; Martial Solal proves this from the very first note: Only a D is heard at first, which keeps you on tenterhooks until a pianistic whirlwind follows: expressionistic disharmonies dissolve into blue notes, glissandi runs lead into long sustained chords, classical motifs merge with echoes of half of jazz history. Everything is rhythmically varied in a highly complex way, without ever falling out of time.<\/p>\n<p>And only slowly does the standard emerge that provides the melodic basis: &#8220;My Funny Valentine&#8221;. As if under a burning glass, the first piece of the performance now documented as a double album at the Ottobrunn concerts in December 2018 thus already shows the entire high art of the &#8220;leading French jazz pianist,&#8221; as it understatedly says in the encyclopedia: Martial Solal, who has just turned 95, is after all a solitaire of jazz, indeed of music history.<\/p>\n<p>More infos: <a href=\"https:\/\/www.glm.de\/en\/product\/martial-solal-live-in-ottobrunn\/\">https:\/\/www.glm.de\/en\/product\/martial-solal-live-in-ottobrunn\/<\/a><\/p>\n<p>Listen to the music: <a href=\"https:\/\/glmmusic.de\/LiveinOttobrunnWE\">https:\/\/glmmusic.de\/LiveinOttobrunnWE<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The unexpected always seems logical with him, wrote one critic. On &#8220;Live in Ottobrunn&#8221; Martial Solal proves this from the very first note: Only a D is heard at first, which keeps you on tenterhooks until a pianistic whirlwind follows: expressionistic disharmonies dissolve into blue notes, glissandi runs lead into long sustained chords, classical motifs [&hellip;]<\/p>\n","protected":false},"author":20,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[166,21,1279],"tags":[],"class_list":["post-6517","post","type-post","status-publish","format-standard","hentry","category-album","category-edition-collage","category-martial-solal"],"_links":{"self":[{"href":"https:\/\/www.glm.de\/en\/wp-json\/wp\/v2\/posts\/6517"}],"collection":[{"href":"https:\/\/www.glm.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.glm.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.glm.de\/en\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/www.glm.de\/en\/wp-json\/wp\/v2\/comments?post=6517"}],"version-history":[{"count":2,"href":"https:\/\/www.glm.de\/en\/wp-json\/wp\/v2\/posts\/6517\/revisions"}],"predecessor-version":[{"id":6519,"href":"https:\/\/www.glm.de\/en\/wp-json\/wp\/v2\/posts\/6517\/revisions\/6519"}],"wp:attachment":[{"href":"https:\/\/www.glm.de\/en\/wp-json\/wp\/v2\/media?parent=6517"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.glm.de\/en\/wp-json\/wp\/v2\/categories?post=6517"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.glm.de\/en\/wp-json\/wp\/v2\/tags?post=6517"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}