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Happy Release: Quadro Nuevo – Inside the Island

Inside the Island ­– Quadro Nuevo on the island of Samos

It is a journey inward – not only geographically, but musically and spiritually as well. Inside the Island, the new album by Quadro Nuevo, will be released on October 24, 2025, by GLM Music, distributed by Edel (LP/CD) and Kontor New Media (digital). More than a collection of pieces, it is a musical travelogue, born on the Greek island of Samos. There, where waves, light, and sun shape the landscape, where ancient villages slumber in the hills, and a kafenion remains a meeting place for locals, the four musicians withdrew to create music scented with lemons, wild rosemary, and the cheerful melancholy of the South.

Quadro Nuevo consists of Mulo Francel (tenor saxophone, clarinet, mandolin, whistle), Andreas Hinterseher (accordion, bandoneon, vibrandoneon), Didi Lowka (double bass), and the ensemble’s newest member, guitarist Philipp Schiepek. Together, they embark on a search for the “simple life,” an unhurried, contemplative way of life that heightens awareness of what truly matters. Far from tourist crowds and global politics, they create music that is warm, elemental, and timeless – born from the openness and serenity of the Aegean.

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Release Day: Die Drahtzieher – Mer Diga Men

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“Mer Diga Men” – A musical homage to the past, present and future

With their third album “Mer Diga Men”, Die Drahtzieher are making a powerful statement – musically, emotionally and culturally. The title comes from Romanes, the language of the Sinti and Roma, and means “We see each other”. The song of the same name was composed by rhythm guitarist Bobby Guttenberger, who used it to commemorate his deceased brother.
his deceased brother. But the album goes beyond personal memories: it combines past, present and future into a musical narrative. The unmistakable sound of the Drahtzieher artfully interweaves the influences of three well-traveled young musicians from Ravensburg. The ensemble’s instruments meet at eye level in imaginative arrange-ments. Deep melancholy and fiery temperament meet in the styles of gypsy music, valse musette and Latin-inspired bolero. The trio creates the positive impression of the Next Generation, which carries the sonic tradition of its fo-refathers fresh and cosmopolitan into the future
On selected songs on the album, the trio is joined by French guitarist Samson Schmitt. Such as on “Flora”, an enchanting gypsy ballad. It was composed by jazz legend Dorado Schmitt, whose son Samson has now given his famous father’s work a new interpre-tation. The gentle, flowing melodies of the guitars merge with the harmony of the musicians’ playing. The result is a modern example of what the romantic side of the gypsy jazz tradition can produce today.
A look into the past
“Mer Diga Men” is a tribute to all those who are no longer with us, but who live on in our memories and our music. Bobby Guttenber-ger, himself a Sinto, dedicates the title track of the same name to his brother, who died in a tragic car accident. The band deals with universal themes such as loss, grief and gratitude – emotions that everyone knows. Music has the power to connect beyond the boundaries of time and transience. Another example on the album is the ballad “Pour Que Ma Vie Demeure” (For My Life to Remain) by Django Reinhardt, the forefather of jazz manouche. With this work, the band also pays tribute to the legendary artist and his musical legacy.
A look into the future
But “Mer Diga Men” not only stands for remembrance, but also for reunion and the joy of encounters. The band addresses these words to their listeners, friends and fellow musicians – to all those with whom they share a passion for music. Every concert, every session is an invitation to lose oneself in the music together and to inspire each other. With this album, the band reaffirms their desire to play even more live gigs, meet new people and spread the unifying power of music.
A look into the present
The musicians themselves say about their new album: “We have different interpretative approaches for Mer Diga Men. But the most important one is the here and now.” Jazz thrives on the moment – on spontaneity, on immediate experience. During the creative process, the band is completely with itself, in its center. They recognize themselves in the music and accept what is. “We see ourselves” means to them: We are present. We are aware of ourselves. We open our eyes to what really matters.
With “Mer Diga Men”, Die Drahtzieher offer an album that touches, inspires and connects – a work that seeks to merge the past, present and future in the language of music.
David Klüttig – guitar, Bobby Gutenberger – guitar, Kolja Ledge – double bass and as guest: Samson Schmitt – guitar

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Tom Reinbrecht & The Cat’s Table – Supernatural Soul Charade

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Good jazz can be like an exciting movie with unpredictable twists and turns, in which many genres go hand in hand:
Action, crime, comedy, romance, thriller, sometimes even horror. Good instrumentalists create suspense and get our
inner movie theaters moving.
Cinematographic jazz is the name of the music by the band led by saxophonist Tom Reinbrecht, named after a novel by
Canadian Booker Prize winner Michael Ondaatje: The Cat’s Table. Sitting at the cat’s table on a cruise ship, far away
from the honorable captain and his guests, are the shady but also most fascinating passengers. They are adventurous,
creative and tell exciting stories. Among them are also a handful of exciting musicians, often called “cats” in jazz. Bassist
Patrick Scales and drummer Christian Lettner have taken a seat at Tom Reinbrecht’s The Cat’s Table; together they
formed the long-standing rhythm section of Klaus Doldinger’s Passport. They are joined by keyboard virtuoso Jan Eschke
and, as the album’s special guest, the talented guitarist Ferdinand Kirner.
With this project, the musician musically transcends genre boundaries, seeking the wild and untamed, the rock’n’roll in
jazz, but also the jazz in rock’n’roll. The Cat’s Table is sensual head cinema that is funky and soulful, grooves powerfully,
is melodically seductive and is simply brightly colored in the overall picture. The Cat’s Table plays music that is so
captivating that we forget to reach into the popcorn bucket. Pulsating riffs and funky grooves, powerful hooklines that
become catchy tunes, seductive melodies and epic harmonies, soulful lines and the bittersweet melancholy of the blues…
The 13 (8) tunes on the album “Supernatural Soul Charade” tell a dramaturgical arc of suspense like the successive
scenes in a grippingly staged movie. The spectrum of moods ranges from powerful and poetic calm radiating a spirit of
optimism (East of Western Woods) to dark, driving drama reminiscent of a car chase (Charade) to a dance mood of
infectious joie de vivre (Superfunktural). Within the individual scenes, the musicians improvise their own individual story,
finding their own story in the stories.
With the album Supernatural Soul Charade, Tom Reinbrecht has written a tribute to the music and zeitgeist of the 80s.
From singing in a rock band as a teenager, his musical path led him to jazz, with the saxophone as his main instrument.
After studying music, Tom Reinbrecht became a sought-after big band leader and worked across genres in the jazz,
classical and pop genres with the New York Voices, Paul Carrack and The European Jazz Project, among others. He
recorded his first album with Claudio Roditi and went on to make two further albums with excursions into bebop and
Brazilian pop jazz. His sound is reminiscent of the jazz traditionalists after Charlie Parker, the bluesy expressiveness of
Cannonball Adderly and the velvety tone of Paul Desmond. The jazz critic Charles Regnault described his energetic and
at the same time butter-soft tone as the “tender bite”. With “Supernatural Soul Charade” he returns to his roots:
Cannonball meets Supertramp, Postbop meets 80’s, Desmond meets Mercury.

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Chris Gall – Impressionists improvised

Piano Solo

FM421 CD, Vinyl, Download, Streaming , Dolby Atmos

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With his new solo album Impressionists Improvised, pianist Chris Gall invites you on a fascinating musical journey that combines the dazzling soundscapes of impressionism with the freedom and energy of jazz. In breathtaking improvisations on works by Claude Debussy, Maurice Ravel and Erik Satie, Gall blurs the boundaries between genres such as jazz, neo-classical and minimal music. His unique style brings the atmosphere of this revolutionary art movement to life in a modern way, creating a completely new sound world that transcends genres.

150 years after the birth of Impressionism, Gall allows the essence of this era to blossom anew. By playfully exploring the harmonic and colorful similarities between impressionism and jazz, he succeeds in reinterpreting the emotional depth and intensity of these works in a contemporary context. The album builds on the musical paths Gall took with his acclaimed solo albums Piano Solo and Room of Silence and adds new, magical dimensions to his sonic language.

The Munich-born pianist, known for his many years of work with the award-winning band Quadro Nuevo, once again demonstrates his impressive versatility on Impressionists Improvised. His globally acclaimed performances and multiple German Jazz Award-winning projects have made him one of the most exciting artists of his generation.

With this album, Chris Gall takes his audience into a magical world of sound in which the intense moods of impressionism come to life in a modern, improvisational language. A work that delights listeners with a wealth of new impressions and magical moments – and playfully pushes the boundaries of the musical.

“Impressionists Improvised” – an album that combines history, emotion and innovation.

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Cornelius Claudio Kreusch & Joscho Stephan – HIGHWIRE

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A high-wire act of jazz virtuosos – Pianist Cornelius Claudio Kreusch and guitarist Joscho Stephan come together as two equal virtuosos, melodists and improvisers for “Highwire”. On the album, they revisit Kreusch’s most important compositions and a few standards.

Cornelius Claudio Kreusch has long been one of the outstanding jazz pianists with his own personal style. The long-time New York resident has proven his exceptional status on many albums with greats such as Kenny Garrett, Terri Lyne Carrington, Bobby Watson, Herbie Hancock and Salif Keïta, but also in the premier class of solo piano. When he saw a video of guitarist Joscho Stephan’s duo with the great Biréli Lagrène, it was clear to him that he had to play with him: “I could immediately imagine us harmonizing like the duo Toots Thielemans and Martial Solal, which I had in mind as inspiration.”
Joscho Stephan is not only known for his outstanding virtuosity on the acoustic guitar, he also stands for a young, new, cross-style approach in the genre of gypsy swing. Stephan continues Django Reinhardt’s legacy in the spirit of improvisation and innovation. This is underlined by his collaboration with jazz stars as diverse as Paquito D’Rivera, James Carter, Charlie Mariano, Stochelo Rosenberg and Tommy Emmanuel.
Kreusch’s guiding idea for the joint album was to recreate the most important and personal compositions of his career in this encounter. And so, on “Highwire”, Kreusch and Stephan throw the ball to each other in an astonishingly artistic, fast-paced, original and highly musical manner. There are three shared preferences that make this duo sound as if they have been playing together for years: Their roots in a strong rhythm, their love of melodyand their love of improvisation.

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Cornelius Claudio Kreusch & Joscho Stephan – Highwire

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