The internationally acclaimed Berlin-based ethno-jazz band LELÉKA, dedicated to reviving ancient Ukrainian folk songs since its inception in 2016, presents its new album RIZDVO at the end of November. Together with the famous Ukrainian flutist Maksym Berezhniuk, virtuoso and collector of traditional woodwind instruments, the ensemble creates an extraordinary hom-mage to the incredibly rich tradition of Ukrainian Christmas music, breathing new life into it with contemporary arrangements, interpretations and improvisations.
Listen to the music: https://glmmusic.de/RizdvoWE
More informations: https://www.glm.de/en/product/leleka-rizdvo/
“Times of Joy”, these are for Johannes Tonio Kreusch for many years his experiences as a guitarist and musician: the encounter. The conversation about and through the music. So the title “Times of Joy” of his new album is understood correctly: it is a collection of the most beautiful of these encounters, almost a quintessence of his musical work to date. Captured preferably in duets with outstanding figures who accompanied him part of the way.
With the CDs “Dialogues” and “Tangos & Canciones,” guitarist Johannes Tonio Kreusch and violinist Doris Orsan revived the rarely heard duo of violin and guitar. While the spectrum there ranged from classical romanticism to the Caribbean musical cosmos to modern music, they initially concentrate on Argentinian sound worlds in their new throw “Libertango”. For a good reason: the album not only celebrates their pas-sion for this music, it is based above all on the many friendships they have cultivated with musicians from this field.
It’s amazing that no musician comes to mind right away who has already processed this image: The balcony as a creative culmination point, as a place of encounter, of exchange with familiar as well as new people, which at the same time “excites contradictory feelings,” as singer Laura puts it: “The feeling of being at home and the feeling of being exposed to the outside world. The feeling of freedom coupled with the feeling of being in a safe place.” A powerful metaphor for the mind of a musician. And a perfect anchor for an album: “Sunset Balcony” is the name of Laura’s new work, “created in her mind on balmy evenings on a sunset balcony, alone or with loved ones, thinking about our place in the world or even just what we want to cook for dinner,” as she reports.
Groove and fresh timbres from Jazz Guitar, Fender Rhodes Piano, Bass and Drums.